Collected
Works. Volume 3
Content
On the site, notes from the end of the book have been moved to the end of each article, the pages of notes are indicated in parentheses in italics.
Article describing the third volume(p. 509)
Pre-revolutionary theater Tasks of theater criticism(p. 7-526 )
"Mad Money" by A. N. Ostrovsky(p. 10-526 )
"The Snow Maiden" by A. N. Ostrovsky(p. 14-527 )
The Cherry Orchard by Chekhov(p. 17-527 )
"Sunken bell" Hauptmann(p. 20-527 )
"Michael Kramer" Hauptmann(p. 24-528 )
Lost Seeker(p. 28-528 )
Soviet theater
communist performance(p. 39-532 )
What should we be looking for?(pp. 41-532 )
From Moscow impressions(pp. 45-533 )
The first performance of the Leningrad Bolshoi Drama Theater(pp. 51-534 )
On the issue of repertoire(pp. 55-534 )
good performance(pp. 74-537 )
Let's laugh(pp. 76-538 )
Theater and revolution(pp. 80-538 )
The first experience of art children's theater(pp. 106-542 )
"Phaedra" in the chamber theater(pp. 108-542 )
The right way(pp. 112-543 )
Theater RSFSR(pp. 115-544 )
In memory of Vakhtangov(pp . 129-548 )
Warden of the Maly Theater(pp . 131-548 )
From theatrical pursuits(pp. 136-549 )
Ostrovsky at Bakhrushin(pp . 141-549 )
More about the theater of red life(pp. 143-550 )
Moscow Art Theater(pp . 148-551 )
To the return of the senior Moscow Art Theater(pp. 158-552 )
To the centenary of the Maly Theater(pp . 165-553 )
To the centenary of the Maly Theater(pp . 173-553 )
About the future of the Maly Theater( pp . 183-555 )
About the play "Anna Christie"( pp . 190-555 )
In the middle of the 1923–24 season(pp. 193-556 )
To the tenth anniversary of the Chamber Theater(pp. 218-558 )
Glikeria Nikolaevna Fedotova( pp . 223-559 )
"Fiesco"( pp . 226-560 )
Meyerhold's ways( pp . 229-560 )
What kind of theater do we need?(pp. 234-561 )
Why are we keeping the Bolshoi Theatre?(pp . 244-562 )
Fundamentals of the theatrical policy of the Soviet government(pp . 253-563 )
About "Petersburg" by A. Bely in the Second Art Theater(pp. 279-566 )
"Shaggy Monkey" at the Chamber Theater(pp . 283-566 )
Guests from Ukraine(pp . 292-567 )
Meyerhold Theater(pp . 294-568 )
More about the Meyerhold Theater(pp . 302-568 )
Results of the dramatic season 1925–1926( pp . 306-570 )
Gods are good after death(pp . 313-572 )
Prospects for the next season(pp. 320-573 )
The first novelties of the season(pp. 323-574 )
Theater achievements for the ninth anniversary of October(pp. 332-574 )
Briefly about "Revisor"(pp. 342-574 )
"Love Yarovaya"(pp . 344-576 )
To the anniversary of M. S. Narokov(pp. 347-576 )
"Inspector" Gogol - Meyerhold(pp. 349-577 )
The rise of social theater(pp . 363-578 )
A few impressions(pp. 371-578 )
"Badgers"(pp . 375-579 )
"Armored Train" in the Moscow Art Theater( pp . 379-580 )
A few reminiscences about Yu. M. Yuriev(pp. 382-581 )
About the peasant theater(pp . 387-582 )
I. N. Pevtsov(pp. 392-582 )
Cultural communication. To the departure of the theater. Evg. Vakhtangov in
Paris.(pp . 394-583 )
TRAM(pp . 398-583 )
First acquaintance with the Art Theater(pp . 402-585 )
30th anniversary of the Art Theater(pp. 404-585 )
Yermolova's precepts(pp . 415-586 )
"Conspiracy of Feelings"(pp. 418-587 )
A. A. Bakhrushin died(pp . 422-587 )
"Resurrection" in the Art Theater(pp . 425-588 )
Theater in tune with the era(pp. 429-588 )
About the Rustaveli Theater(pp . 431-589 )
"Bread" by V. Kirshon on the stage of the Moscow Art Theater(pp . 433-589 )
Shchedrinian on the stage of the Moscow Art Theater II( pp . 439-590 )
V. V. Luzhsky(pp . 443-591 )
Evgeny Bogrationovich Vakhtangov(pp . 446-592 )
Preface [to the book by P. Orlenev](pp. 457-593 )
To the centenary of the Alexandria Theater(pp . 462-594 )
Stanislavsky, theater and revolution(pp. 473-596 )
"Devil's Disciple"(pp . 486-597 )
Theater letters. Letter one(pp. 490-598 )
Theater letters. Second letter. About Schiller, Schillerism and "brilliant"
performances(pp . 495-598